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Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

2019 Post #19 -- Letters To and From the Past

by Rama Janamanchi

When I read the poem "Dear NaiNai" by Jennifer Tseng with my class, I remembered my own grandmother, now long gone, and the ways in which I lean back into her as I have come from her. I think too of the many silences that prevent me from knowing her. This is a great way for students to see their own lines going back and leading back to where they stand.

We begin by reading the poem chorally (I project the poem and give my students copies to hold). Then I divide the class in half and have one group read the poem from the beginning until “#1 writes me a letter.”

Group 2 then reads the letter. Group 1 picks up to read the rest of the poem but group 2 joins in just for the italicized words. I tell the students that NaiNai means "grandma" in Chinese and point out that the poet’s father is dead so in effect, she is listening to ghosts. In one group, a student noticed this before I said anything!

We read the poem again but this time switch roles -- Group 1 reads the letter and joins in for the italicized words. This time, group 2 reads the main voice. At the end of the reading, I ask them what they noticed about the poem and its voices.

I then ask them to turn over their copies of the poem and draw a single vertical line. At the bottom of the line, they write their name. Then they write the name of one parent and one grandparent. Then next to each name, write a word or phrase they associate most with that parent and grandparent. For each word, they write what other words they associate with that word. After 3 rounds of word association, we talk about how we could use these words to build our own “Dear NaiNai” letters.

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Bio: I teach 11th-grade English at a private high school for students with language-based learning differences. Twitter: @MsJanamanchi410

2018 Poem #6 -- Our Many Worlds

by Rama Janamanchi

One of my favorite poems to teach is Joseph Legaspi’s “Amphibians.”It is a short poem which offers so many avenues for discussion and teaching that we often reference it as we go through our unit. The activity I am sharing below is one that I use when I introduce the poem.

We begin with reading the poem. Each student reads a line until punctuation indicates a significant stop (the period, the semi-colon, or colon). Then we read the poem again chorally. Once we are done with the choral reading, I ask them to list amphibians they know and picture those amphibians, their habitats, and whatever else they know about them.

The students then write down their own habitats: Where do you live? Then they list one activity they most closely identify with. Then we go into identity more broadly. Once they have listed about five or six words they use to identify themselves, we talk about similarities in the room. We begin with activity: all the basketball players stand together, all the gamers gather together and so on. Then they find them moving around the room and shifting groups based on race, hobbies, being the eldest, being adopted and so on. As they position themselves into different groups, they note the people with whom they share these groups.

Once the activity is done (about 7 minutes), we talk about Legaspi’s line: “Immigrants give birth to Americans.” Our many identities converge into the shared experience of the activity, of being students, of being learners. At the close of the activity, we read the poem again. I usually then ask them to reflect on the poem in their journals to give them more time with the poem.

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Rama Janamanchi teaches at a private high school for students with language-based learning differences. Twitter: @MsJanamanchi410

Go Poem #29 -- Parallel Lines

by Brett Vogelsinger

The repetition of grammatical structures, known as parallelism, works especially well for poets because it establishes rhythm and momentum in a piece of writing.  Any writer is concerned with the "flow" of a piece, how it moves, and parallelism is a key skill to acquire for our students as writers.

Joy Harjo's poem "Remember" employs parallelism on two levels.  The repetition of the word "remember" to introduce new ideas couples with the similar structure in the clauses that follow give this poem its remarkable sense of music.

After our first reading of the poem, I ask students to hypothesize the cultural background of the poet from the imagery in the poem.  Most classes are able to conclude the poet is writing from a Native American background using the personification of earth, moon, and stars and the reference to dance in the closing lines as their primary clues.  We briefly discuss how Native American cultures view man's relationship with the earth and how this differs from other cultures.

Just before the second read, I introduce the concept of parallelism, relating it to the simpler term repetition. How does repetition/parallel structure enhance this poem? After a second read, kids are quick to pick out that the structure adds to the rhythm, giving the poem a songlike quality.

As an extension, it can also be rewarding to write together as a class based on this poem.  I have kids write their own "Remember . . . " lines on sentence strips.  On my magnetized board, we attach them and work them into our own collaborative "Remember" poem reorganizing for greater music and momentum as we go. In writing this poem, we have used, listened to, and revised parallel structure.  

Two other poems that work well as alternates for a similar mini-lesson:  "The Delight Song of Tsoai-talee" by N. Scott Momaday or "Famous" by Naomi Shihab Nye.

Brett Vogelsinger teaches freshman English students at Holicong Middle School in Doylestown, PA where he starts class with a poem each day. Follow his work on Twitter @theVogelman.


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