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Showing posts with label imagination. Show all posts
Showing posts with label imagination. Show all posts

2019 Post #27 -- Still Life

by Allison Marchetti

One of the greatest lessons we can give our young writers is to pay attention. Nature walks, writer’s notebooks, guided imagery--all of these are wonderful tools for sharpening the writer’s focus. Another tool is the still life in words.

Jim Daniel’s poem “Work Boots: Still Life” describes a pair of work boots drying in the sun. Like an artist painting the tiny details of a thing, each line reveals the hidden layers and larger-than-lifeness of an ordinary pair of boots. The poem builds to reveal much about its wearer, to whom the boots offer the “promise of safety | the promise of steel.”

Daniels’ poems make holy ordinary moments. They are snapshots of everyday life--brushing your teeth at the sink with your sister, a pair of workboots left to dry in the sun, reading in bed with your littles close--written in beautiful, simple language, and they reveal a hidden beauty that is there simply if you pay attention.

Lead your students in an exercise that will help them pay attention to something ordinary and paint a still life in words:

Choose an inanimate object in your bedroom or home that has some significance behind it: that pair of shoes you always reach for, the old hoodie, the stuffed animal you can’t bear to pack away.

Make a two column chart in your notebook. In the left-hand column, describe what you see in plain language. Like a painter, look closely, making your way around the entire object, seeing it from multiple angles. What’s there that you’ve haven’t noticed before, even though you’ve likely looked at it thousands of times? A tiny rip at the seem, some dried chocolate smeared by little hands?

In the right column, make a list of “deeper meanings”: think about what this object means to you, where you’ve used it, or worn it, memories associated with it, etc.

Use Jim Daniels’ poem to think about how you might pair each description with a deeper meaning. Play around with interesting and unexpected similes and metaphors that breathe life and story into this inanimate object.

Consider borrowing Daniels’ syntax in the last three lines: A ____________ reveals a ________, a __________, the ______________ to tie it all together.

Offer the option of bringing in a picture of the object and pairing it with the typed poem for a beautiful still life gallery walk in your classroom.

Further Reading




Allison Marchetti is co-author with Rebekah O’Dell of WRITING WITH MENTORS and BEYOND LITERARY ANALYSIS (Heineman). She is the co-founder of Moving Writers, a blog for secondary writing teachers. She lives with her family in Richmond, Virginia.

2019 Post #24 -- Reading and Writing Outdoors

by Sarah Mulhern Gross

Mary Oliver’s “The Summer Day” is one of my favorite poems to share with students. It’s one of Oliver’s best-known and most-quoted poems and has been included in a few of her anthologies. It strikes a chord with many high school students as they are beginning to think about their lives beyond high school. It’s also a great way to get students to slow down and observe nature for a few minutes.

Begin by giving students a copy of the poem and let them read along as they listen to Mary Oliver read it. I like to take my students outside for this activity, so I use my cell phone to share the audio. Ask your students to mark the phrases or lines that strike them in any way while they read the poem. After students have read the poem and listened to Oliver read it, have a brief discussion. I always point out to students that “The Summer Day” sounds like a prayer to me, and this makes sense because Oliver frequently talked about how the forest was her church. Ask students what their “church” might be. Where do they feel spiritual? Where do they feel safe and at peace?

After a brief discussion, give students a few minutes to write. Ask them to let the sights and sounds of the outdoors guide their writing as they try to answer the question “What is it you plan to do with your one wild and precious life?” I don’t give my students too many guidelines here as I just want them to write. Their response can be in prose or poetry form, and if they really get stuck I encourage them to sketch.

You could easily extend this activity into a full lesson by having students choose something outside (a tree, a blade of grass, a bird, a bug, etc) and center their response around it like Oliver centers her poem around the grasshopper. They could spend 10-15 minutes making observations about what they see, hear, smell, feel and (maybe?) taste while observing their species of choice. Oliver’s poem can serve as a mentor for their response to the question in her final line.

For more on Mary Oliver, check out this excellent New Yorker piece: Mary Oliver Helped Us Stay Amazed

For a brief Go Poems idea for Mary Oliver's "Wild Geese" click here.

Further reading:


Sarah Gross is one of the co-organizers of NerdCampNJ. She teaches in central New Jersey and loves spending time outdoors.

2019 Post #6 -- A Poem in a Picture Book

by Brett Vogelsinger

Former Poet Laureate of the United States, Juan Filipe Herrera, shares his memoir in the poem-as-a-picture-book entitled "Imagine."

The book is beautifully written and illustrated, weaving some Spanish words into the English poem as it follows Herrara's trajectory as a child of migrant workers to his first experiences learning English to his post as Poet Laureate.  It concludes with the words "Imagine what you could do."

I tell my ninth-grade students that for today's Poem of the Day we are going to have an elementary school library class experience, and I ask them to gather around.  Some of them choose to sit on the floor just like they did for "carpet time" back in elementary school.  Nostalgia for this kind of reading runs deep and strong.

I make sure every student gets to ponder each page, reading it slower than most poems, for the format breaks it up into illustrated pieces we want to savor.

The last line, "Imagine what you could do," has landscape illustration paired with it that hearkens back to Herrera's youth.

In their Writer's Notebooks, students might take that same line and illustrate it in a way that inspires them and relates to either their early life or to their future goals and what they would like to accomplish.


Further Reading:





Brett Vogelsinger is a ninth-grade English teacher at Holicong Middle School in Bucks County, PA.  He has been starting class with a poem each day for the past six years and is the creator of the Go Poems blog to share poetry reading and writing ideas with teachers around the world. Find him on Twitter @theVogelman.

2018 Poem #18 -- Through New Eyes

by Jason Stephenson

I read Cynthia Rylant’s picture book When I Was Young in the Mountains to my creative writing students during our memoir unit. I smile at the fact that the book was published in 1982, the same year I was born. As I teach high school, I am fairly unfamiliar with children’s book authors, so I was surprised to find another Rylant book on vacation in Houston one recent summer. The slim poetry collection, published in 2003, was titled God Went to Beauty School. In 23 poems over 56 pages, Rylant portrays God as a regular human with titles such as “God Got a Dog,” “God Made Spaghetti,” and “God Went to India.”

The titular poem, “God Went to Beauty School” opens the book. It is one long stanza with short line breaks, a dash of humor, and one simile. I read the poem aloud to my students and give them time to discuss it with an elbow partner. My Creative Writing 2 students rarely need prompting, but possible questions include:
  • What is so powerful about a human hand? 
  • How do you respond to God being described as a human? 
  • Was this poem blasphemous?
As a class, we discuss how the poem begins with short sentences but ends with one long, complicated sentence. The discussion of hands might lead us to the Michelangelo painting of the Creation of Adam, with God’s and Adam’s hands stretched out to one another. Even in the Bible Belt, most of my students are entertained and not offended by this poem.

My students write their own God-as-human poems in response: “God Got a Speeding Ticket,” “God Plays Golf,” and “God Bought a Gun,” just to name a few. We focus on emulating Rylant’s straightforward style, crisp line breaks, and deep insight.

Further Reading:


Jason Stephenson teaches creative writing at Deer Creek High School in Edmond, Oklahoma. He blogs infrequently at dcjason.wordpress.com.

Go Poem #16 -- Imaginings Begin With "If"

by Jason Stephenson


Sometimes I like to ask one of my students to read our poem aloud, but I always make sure to read "If I Were A Dog" by Richard Shelton aloud to my class. It takes some practice to know how to deliver the lines because, as most students will notice, there are no commas or periods. The only form of punctuation is the apostrophe. We might discuss that -- the lack of punctuation and its effect of creating a doglike speaker whose thoughts run together.


Actually, according to the second stanza of the poem, the speaker is a human, only imagining if he or she were a dog. The speaker uses the subjunctive to imagine a different reality. As a class, we might discuss what is "doglike" about the poem. Possible answers include the master, the stick, the licking, the peeing, the fetching. Usually, though, I let students drive most of the discussion: What did they notice about the poem? What do they have questions about?


We don’t always respond to a poem by writing, but “If I Were a Dog” cries out for imitation. I ask students to take the title and replace Dog with something else: “If I Were a __________.” In the past, students have chosen to write about cabbages, teachers, and even the opposite gender. (Think “If I Were a Boy” by Beyoncรฉ) Here’s a fine example from one of my students.



If I Were a Dollar
I would be lost from wallets
and pockets
left on the street
until I was found by a young man
looking to buy a pack of gum
or some Altoids
then I’d be given as change
to begin the adventure again
but since I’m not a dollar
I stay within the same
routine every day
never getting to see
the world
If I were a dollar
I’d be given as a gift
or a tip
or maybe made
into a crane
or maybe I’d be dropped
into a drainage hole
lost in the sewer forever
but even still
I’d be on an adventure
if I were a dollar.


--Jared C.



Jason Stephenson teaches creative writing at Deer Creek High School in Edmond, Oklahoma.


Further Reading:

 
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