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Showing posts with label questioning. Show all posts
Showing posts with label questioning. Show all posts

2018 Poem #29 -- Bringing History Into the English Classroom

“Propaganda informed him that it was only a matter of time before a plague of Jewish tailors showed up and stole his customers” (Zusak 59).

While reading Markus Zusak’s The Book Thief with my ninth-grade Honors English classes, one question continually arises: How could people let the atrocities of the Holocaust happen? In order to help students better understand the power that Adolf Hitler held over Nazi Germany, I lead them in an exploration of propaganda, beginning with a poem written by Austrian children in the 1930s. Students are horrified to see “Thoughts on the Führer” elevate Hitler to a deity with the authority to lead—and cleanse—the people. I pose two questions to students as they consider the poem: How do the young people writing this poem feel about Hitler? How do you think they were stirred to feel so strongly?

Every class begins with Poem of the Day, which quickly engages students and directs their thinking to the day’s content, but this poem particularly sparks student interest. As the lesson progresses, I show pictures of propaganda in society today and in Nazi Germany, and students analyze the emotional impact of each example. The New York Times documentary  “From North Korea, with Dread” even includes an example of contemporary students singing a tribute that resonates eerily with this poem. I also include primary source images of indoctrination in German classrooms and Hitler Youth, bringing to life the experiences of main characters from The Book Thief, Liesel and Rudy. Students then apply their knowledge of propaganda to The Book Thief, combing the novel for evidence of how Nazi propaganda influences characters’ actions.

When studying a historical fiction work such as The Book Thief, poetry proves to be an insightful window into the past that simultaneously facilitates student understanding of history and stretches their thinking.

Further Reading:



Amanda Kloth is an English Language Arts student teacher and history enthusiast from southeastern PA.

2018 Poem #27 -- Over Our Heads On Purpose

by Brett Vogelsinger

Teens have an complicated relationship with poetry.  On one hand, we have some students pouring their hearts out in private, personal journals or publicly alongside the Instapoets without even an invitation from a teacher; on the other hand, we have students who perceive the genre as pretentious and irrelevant, who roll their eyes the first time a teacher mentions the word "poem."  How do we bridge that gap and invite students from both ends of this spectrum to learn something new with us? 

One trick is finding a poem with just the right level of challenge. 

As teachers we are sometimes told to "pitch it where they can hit it," encouraged to give students reading and materials that allow them to experience success.  We are also told to "scaffold" so that students can grasp challenging texts and tasks as we gradually reduce our level of intervention and support.  

Students can also benefit by pitching a poem where they cannot hit it yet, as long as the poem is a brief one.  We can then challenge them to join us in building a scaffold. 

One such poem is "Landscape" by Robin Coste Lewis. The poem is approachable in that it is short and none of the words are, in isolation, unfamiliar or intimidating.  The poem itself, however, is not completely understandable on the first read.  Invite students to ask questions of the poem and determine how they might unlock more meaning. 

For example, one of the first questions that arises with this poem for me and my students:  Who or what is "Mamere?' Why the references to borders and fires? Is this a poem about an individual or history or a conflict?  How might the copyright date of 2018 be significant? How might we find answers to these questions? 

We talk about how we might research the meaning of "Mamere" and how the poet's background and biography might influence our reading of the poem.  How might we connect this to something else we have read? How can we reach the poet to ask a question?  Where is the poet being intentionally ambiguous? Where does she want us to be a little confused? 

I will not share my own interpretation or research on the poem here.  I invite you instead to explore it with your students and model with your students what it looks like to be a little bemused and perplexed in your reading and the joy of finding your way out of a more challenging poem.  Both the natural poets and the skeptics may find this approach engaging in your classroom, especially when your own 

Further Reading:


Brett Vogelsinger is a ninth-grade English teacher at Holicong Middle School in Bucks County, PA.  He is the faculty adviser for the school literary magazine, Sevenatenine.  Besides his annual blogging adventure on this site, he has published work on Nerdy Book Club, The New York Times Learning Network, and Edutopia and you can follow him on Twitter (@theVogelman).



2018 Post #26 -- Take a Bite Out of Poetry

by Lauren Heimlich Foley

During a summer graduate class, I found myself re-inspired while participating in a poetry lesson modeled after Nancie Atwell’s writing-reading workshop. That afternoon, I dusted off Naming the World, making a promise to include more poetry the following school year.

Weeks later, I started a September class period with a poem by Ronald Wallace. To engage my students, I projected “You Can’t Write a Poem about McDonald’s” on the board and asked them what they thought.

Some groups, wanting to disprove the statement, created their own poems. Other tables believed McDonald’s was not an appropriate topic for a poem or would not make a strong writing piece. Still, others wondered if the clause was in fact a poem since quotation marks flanked both sides of it.

Once table groups shared their theories, I revealed that “You Can’t Write a Poem about McDonald’s” was indeed a poem. Students exclaimed phrases such as, “No way!” or “I told you so!” or “Really?” Intrigued by their enthusiasm, I wondered what their responses would be to the actual text.

After reading the poem and inviting students to share their highlighted lines, our room erupted with meaningful conversations. My nervous-unsure-second-week-of-school seventh graders transformed into investigators and analyzers. As I moved between groups, listening in on their discussions and asking questions to push their thoughts further, their commentary on diction, personification, imagery, similes, and symbolism led to dialogues on larger issues of consumerism, waste, world hunger, food accessibility, and the fast-food industry.

Additionally, we revisited “You Can’t Write a Poem about McDonald’s” during a later class period to discuss effective titles since my students’ initial reactions were so intense.

This poem’s ability to challenge my students’ beliefs of acceptable poetry topics while inviting them to take a platform through their own writing has made it one of my favorites.

Further Reading:




Lauren Heimlich Foley teaches seventh-grade English Language Arts at Holicong Middle School in Doylestown, PA.

2018 Poem #4 -- The Sport of Writing Small

by Lauren Heimlich Foley

As my students preview the title of the poem "Baseball" written on the board, their murmuring echoes throughout our classroom, and curiosity lingers in the air. One student remarks, “A poem about baseball?" Disbelief paints his voice.

In preparation for the first reading, I invite my seventh-graders to notice the author's craft.  They mark up their pages as I recite Baseball by Bill Zavatsky.  Sharing their favorite lines, they highlight a variety of techniques including descriptive details, dialogue, figurative language, tone, and theme.  One recurring observation is mentioned in every class: the poem shows a single moment -- Bill catching the ball.  

After their initial reactions, I ask students to consider how they might use the poem as a mentor text: what words, phrases, sentences, or ideas will help them use precise details to reveal their own stories.  Once I reread the poem, students refer back to a list of personal memories they collected during a previous class period, select their best ideas, and write their own pieces. 

Roughly five minutes later, partners share their creations and reveal how "Baseball" has influenced them.  When student volunteers read their work to the class, they showcase an array of topics: competing at a swim meet, winning a soccer game, painting a canvas, honoring a beloved pet, and saying goodbye to a grandparent. 

I appreciate Bill Zavatsky’s poem because it immerses students in a relatable situation, challenges them to write about a specific moment, and encourages them to employ writing skills that convey their experiences. Whether their work remains an exercise or fuels a future writing piece, we can always return to “Baseball” for inspiration on how to write small.

Further Reading:





Lauren Heimlich Foley teaches seventh-grade English Language Arts at Holicong Middle School in Doylestown, PA.

Go Poem #13-- Poster Poem

by Rose Birkhead

Through the school year, I use the Three Big Questions found in Reading Nonfiction - Notice and Note by Kylene Beers and Robert Probst. (What surprised me?  What did the author think I know that I do not know? What challenged, or confirmed my thinking?

I use the "Poster" strategy that Kylene Beers mentions in her book, Nonfiction Notice and Note as we read "1975: Year of the Cat" an excerpt from the book Inside Out and Back Again by Thanhha Lai.  I focus on using the question "What does the author think I know that I do not know?"

First, I read aloud the poem to the students. At table groups, I have a copy of the poem in the center of large chart paper. Each student is given a different color marker. Without speaking, students underline and write notes about the poem, noting what the author thinks we know that we don’t know. All notes are written directly on the chart paper. Students are allowed to draw, write, and underline. I also walk around the room with my own color marker. I also do not talk, but try to push the paper conversation along by using words, pictures and phrases on each groups’ posters. Beers suggests giving ten minutes to students, but my students tend to only be able to focus on the activity for about five. I find this activity to be beneficial for my quieter students. Taking away voice allows all students to have more of a voice.

Once the five-minute vow of silence is over, I encourage each group of students to converse about the notes written about the poem. Together, students create questions about what they wonder. I post the charts around the room, to remind us about the powerful use of our written words. I also use this activity to begin our read aloud of the book, Inside Out and Back Again by Thanhha Lai.


Rose Birkhead is a Reading Specialist at Holland Middle School in Warminster, PA. She teaches 7th and 8th grade literacy classes and  strives to create a positive learning environment where her students feel successful on a daily basis.



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