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Showing posts with label symbolism. Show all posts
Showing posts with label symbolism. Show all posts

2018 Poem #30 -- Mythology Goes To the Hairdresser

by Kate Baker

Jehanne Dubrow’s “Penelope Considers a New Do,” published in her compilation Stateside, is one of my favorite poems to read with students who are studying Homer’s Odyssey as it puts a modern and alternative perspective on the mythology of circumspect Penelope, Odysseus’ long enduring wife. Dubrow’s poem is rich in symbolism and allusion as she channels Penelope’s tale, weaving it into her own story of being a military wife who is home while the husband is deployed overseas. There is even an audio version available, read by the poet.

Students can begin by close reading the poem, identifying the modern and mythical allusions, enjambed and end-stopped lines, and examples of alliteration as they discuss the implications of trying to change one’s hairstyle in attempt to better one’s life: how does one’s appearances dictate one’s mindset and perspective on life? Can cutting one’s hair really result in an improved outlook? Will magazines and hairstylists realistically offer solutions to one’s plights in life? Students can consider how Penelope has coped with Odysseus’ absence and compare/contrast her coping strategies to their own understandings of waiting and identity.


But the beauty of Dubrow’s poem is found in the structure: four stanzas of four lines each with each line indented so as to give the poem its shape -- anyone who has cut his/her bangs will recognize that the stanzas look like sections of hair that have been snipped on an angle. To extend the lesson, students can work in groups or individually to write or find other poems that are written in basic block format and rearrange the text so as to give it a symbolic shape or visual design. The rearranged and original poems can be presented to the class and students can discuss the artistic choices made in the arrangement. 

Further Reading:



English teacher, coach, and author Kate Baker is on the executive boards of the Flipped Learning Network and the New Jersey Council of Teachers of English. Adept at integrating technology in her classes using flipped-blended learning strategies, Kate has been recognized as a CEL’s TEacher Leader of Excellence for 2017, a PBS LearningMedia Digital Innovator, and an Edmodo Certified Trainer. Twitter: @KtBkr4 Blog: Baker's BYOD

2018 Poem #13 -- Wait, Rappers Are Poets?

by Zachary Sibel

This year I wanted to try something new when it came to teaching poetry, so I made a strange connection. I thought about what I like to eat when I go out. I realized that most the time my favorite items to order are appetizers; they are smaller portions, you get a variety of choices, and when you put the right combination together, you are rewarded with an experience that is filling. 

I decided to present poetry from various classes and movements to my students in the same way. I used three to five poems from the Romantic, Victorian, Modern, Postmodern, and Contemporary eras of poetry. I found that my students were more engaged when they got to read through and pick the one that stood out to them, rather than sit down and talk about them all.

One poem that really topped them all when it came to student engagement was Tupac’s "A Rose That Grew From Concrete." I present this poem with no context of who Tupac was (or still is, that is up for debate) and just focus on language and the use of metaphor. After reading the poem aloud twice, I ask students to dig into the imagery and symbolism of this poem. The beauty of this poem is it impacts students of all backgrounds and upbringings. 

This year I had a number of students connect with it, one of whom discussed the idea that, “the only person who needs to believe in you is you, " a rather sophisticated reflection for a middle school student to have. I let the students carry the discussion, and when I see it fit, I end with providing a little background as to who Tupac was, the idea of West Coast rap, and how language can be used to examine various social issues.

Additional fun: I focus a lot on the questions, “Is all music poetry? Is all poetry musical?" With Bob Dylan winning a Nobel Prize for literature, the question begs to be answered or at least discussed. After showing students "A Rose That Grew From Concrete," we play a little Kahoot game that requires students to read a line of verse/lyric and determine if it is poetry or hip-hop. Students find themselves recognizing some of the lyrics but not all. They realize that the distinction between hip-hop and poetry is more complex than we may originally think.

Further Reading:




Zachary Sibel is a hip-hop fan and an eighth-grade English teacher at Tohickon Middle School in Bucks County, PA. 

Go Poem #28 -- Burning The Old Year

by Brett Vogelsinger

Naomi Shihab Nye's poem "Burning the Old Year" showed up in my inbox on January 2, 2017, thanks to the amazing poetry teaching resources from The Academy of American Poets, available here and searchable via #poetryclassroom.  The email included some classroom activities, which are excellent for starting a new calendar year, but as all teachers are wont to do, I began thinking about how to modify or adapt the listing idea so that this poem could have relevance any time of the year.

Ultimately, the poem is about what things perish quickly -- "lists of vegetables, partial poems" -- and what lasts -- "so little is a stone."

In their notebooks, I have my students sketch a fire for one minute while thinking about what aspects of life survive the "orange swirling flames of days" and what aspects do not.  Then we make two lists.  What things do we quickly relinquish in life, and what do we manage to cling to, sometimes despite wishing to let go.  What is "paper" in our life and what is "stone?"

These two lists can provide rich ideas for later writing topics, so students can nurture this seed into their own creative writing if they wish.

Also, don't miss Naomi Shihab Nye's excellent speech about teaching poetry:




Brett Vogelsinger teaches freshman English students at Holicong Middle School in Doylestown, PA where he starts class with a poem each day. Follow his work on Twitter @theVogelman.

Further Reading:


Go Poem #14 -- Mythological Allusion

by Elizabeth Howlett

Students read the poem "Demeter’s Prayer to Hades" by Rita Dove silently as it is projected on the screen. Every time I present a poem to my students I explain that poetry is written to be heard, that the ear may pick up on what the eyes do not. Therefore, the second read is my vocal interpretation of this poem’s tone and fervor. Whether you do or do not know the story of Demeter, how does the speaker’s tone strike you?

As a poem about mythology, the first quest is to ferret out all of the mythological allusions. Who are Demeter and Hades? What is the nature of their relationship? Consider presentation of the myth as a paired text.

What if we take the mythology out of it? Is this not a mortal scenario?

If someone has wronged us, don’t we wish that they could have “knowledge” of the impact they have had?

Still, the poem does speak of both gods and mortals. Being a deity in mythology does not mean you are without flaws, and worshipping the gods means believing in those who are subject to the
weaknesses of man.

What are the consequences for anyone who attempts to “play god?"

This poem invites rich discussion and deep thinking about our own lives and the power of allusion.


Elizabeth Howlett is a seventh grade ELA teacher in San Antonio, Texas.



Further Reading

 
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